2019 Conference Program (Draft)

THURSDAYNovember 14

Registration

FRIDAYNovember 15

Session 1: 8:00-9:30 AM

PANEL 1511 Race and Ethnicity I: IT, Space, and Place

Chair: Danyelle Greene, University of Kansas

Interaction in Interactive Spaces Through Media

Abimbola Iyun, Southern Illinois University

Trouble in Paradise: Class, Caste, and the Undoing of Family in Made in Heaven

​Namrata Sathe, Southern Illinois University

“With My Ancestors”: Afrofuturistic Imaginings of Past and Present in Black Panther

Danyelle Greene, University of Kansas

PANEL 1512 Antiqui-tech I: Time travel, real and virtual​​

Chair: Matthew Taylor, Beloit College

Fixed Points in Time: Doctor Who, the TARDIS, and Roman History

Alicia Matz, Boston University

Iaponia Capta Cepit: Roman Technological Syncretism and Modern Tourism in Thermae Romae (2012).

Natalie Swain, University of Bristol

Classics goes retro: Okhlos (2016) and 8-bit aesthetics

Matthew Taylor, Beloit College

PANEL 1513 The (Post-)Human Future

Chair: Jenny Mor, Tel Aviv University, Israel

Troublesome Tech: Genetic Manipulation in Marvel’s X-Men

Cynthia Porter, Vanderbilt University

Aged Not Obsolete: Moving Towards the Utopian Posthuman 

Gwendolyn Asbury, University of Kansas

The Eternal Return of the Singularity: Advanced Technology in TV and Film

Jenny Mor, Tel Aviv University, Israel

PANEL 1514 The Industry I: Stories

Chair: Lala Palupi Santyaputri, Universitas Pelita Harapan, Indonesia

“Comedy is the Bane of His Existence”: The Struggles of Feature Comedy, 1913-1916

Megan Boyd, University of Wisconsin, Madison

Identification and Robert Montgomery’s Lady in the Lake

Macy Todd, SUNY, Buffalo State

Film Remakes in Indonesian Film Industry

Lala Palupi Santyaputri, Universitas Pelita Harapan, Indonesia

Session 2: 9:45-11:15 AM

PANEL 1521 Technology in the Western I: Guns, Killing Contraptions, and Cars in the Western

Chair: Timothy Scheie, University of Rochester

Clocks, Guns and Lost Innocence in THE STRANGER(1946) AND HIGH NOON (1952)

Valerie H. Pennanen, Calumet College of St. Joseph

Killing Contraptions in Spaghetti Westerns

Frank Fucile, University of Wisconsin, Madison

Oldsmobiles, Rock-n-Roll, and Le Far-West: The Mythic West as Modern Consumer Product in the French Camargue Western

Timothy Scheie, University of Rochester

PANEL 1522 Antiqui-tech II: Humanity and its discontents​​​

Chair: David J. Wright, Fordham University

Technological Humanity in Blade Runner 2049 (2017)”

Rocki Wentzel, Augustana University

“…it was good to be human”: Representations of Classical Space and Thought in The Talos Principle (2014)

Jessie Wells, University of Illinois at Urbana Champaign

Folly of Man: Cosmic Destruction in the Godzilla Film Series and the Gigantomachy Myth

David J. Wright, Fordham University

PANEL 152Technology and the Filmmaker  

Chair: Peter Falanga, Independent Scholar

Technology & Beauty: Madam CJ Walker As Filmmaker

​Carol Bentley, North Dakota State University

History, memory and digital storytelling: the case of Robert Zemeckis

Shai Biderman, The Steve Tisch School of Film and Television, Israel

Remembering the Trains: Coping with Trauma and Dispossession in the Works of the Polish Film School 

Peter Falanga, Independent Scholar

PANEL 152Manga, Anime, and Epic Adventures 

Chair: Mike Sugimoto, Pepperdine University

Hybridism in Cyberia:  Serial Experiments, Lain (1997-1998) as a Reflection of Hybridism in Japan and the Web

Ryan Freels, Southern Illinois University

Miyazaki’s Hard Science: Environmentalism & Utopic Longing in Nausciaa

Mike Sugimoto, Pepperdine University

Lunch Break: 11:30 AM-12:30 PM


Session 3: 12:45-2:15 PM

PANEL 1531 Rage Against the Machine I: Tech Before the 2000s: Historical Perspectives on Technology and Independent Cinema

Chairs: Matt Connolly, Minnesota State University, Mankato; Chelsea McCracken, State University of New York at Oneonta

Odorama and the Camping of Exhibition Technology in John Waters’s Polyester

Matt Connolly, Minnesota State University, Mankato

Unless a Triple A: On Walter Wanger’s Attempted Independent Adaptation of Steve Canyon

JJ Bersch, University of Wisconsin, Madison

Making Lists and Building Markets: Queer Home Video Sales Tactics

Chelsea McCracken, State University of New York at Oneonta

PANEL 1532 Antiqui-tech III: (Re)-engineering inventions and inventors

Chair: Roger Macfarlane, Brigham Young University

A Horse of a Different Color: Depictions of the Trojan Horse on Screen

​Kirsten Day, Augustana College

The Mechanics of Myth: The Trojan Horse on Film

Gregory Daugherty, Randolph-Macon College

A Portrait of the Engineer as a Young Man: Recovery of Talos in the Daedalus myth by Jim Henson’s Storyteller(2005)

Roger Macfarlane, Brigham Young University

PANEL 1533 Gender, Technology, and Emotion in Horror and Science Fiction: Fembots and Fantasies of Compliance

Chair: Cary Elza, University of Wisconsin, Stevens Point

Bodied and Disembodied Minds in Her and “Be Right Back”

​Rebecca Bell-Metereau, Texas State University, San Marcos

Techno Fairy Tales, Female Posthumans, and the Gendered Gaze

​Nina K. Martin, Connecticut College

“Do you feel held?”: Gender, Community, and Affective Design in Midsommar

​Cary Elza, University of Wisconsin, Stevens Point

PANEL 153Real Places in Futuristic Fictions: How Filmmakers Use Actual Buildings as Settings for Science Fiction Futures

Chair: Vincent Casaregola, Saint Louis University

Urban Planning and the Road to Dystopia: How Planning Failures Are Echoed in Dystopic Film Visions

Robert Cropf, Saint Louis University

Machines for Living: Modernist Architecture as the Setting for Science Fiction

Vincent Casaregola, Saint Louis University

Session 4: 2:30-4:0PM

PANEL 1541 Hardwired to the Grid IMore Human than Human: The Plight of the Transhumanism in Cyberpunk in Film, Television and New Media 

Chair: Benjamin Franz

Tron: Legacy and the death of the Transhuman Utopia

Graham J. Murphy, Seneca College, Ontario, Canada

From Westworld (1973) to Westworld (2016): From Humanist to Post Humanist Science Fiction, or Cyberpunk redux

Mehdi Achouche, Jean Moulin University, Lyon, France

Star Trek, Reality and Life: A Window into Ontology, Consciousness and Humanity

Sarah Schimann-Ackerman, Hunter College

PANEL 154Antiqui-tech IV: Harnessing technological force

Chair: Jennifer A. Rea, University of Florida

Atom Age Gladiator: The Curse of the Faceless Man(1958)

​Robert White, The Beaumont School (OH)

Archimedes and the Cold War: Soviet animation film ‘Kolya, Olya, and Archimedes’ (1972) and its political context

​Ekaterina But, The Ohio State University

From Cyclopes to Coagula: Allusions to VergilianInvention in Jordan Peele’s Get Out (2017)

​Jennifer A. Rea, University of Florida

PANEL 154Form and Format 

Chair: Ido Lewit, Yale University

“A Return to Form:” Mutability of Format in the SuperegoPodcast

Megan Fariello, Independent Scholar

The Insta-Girl Next Door: Sexuality, Innocence and Technological Savvy in the Age of Social Media

Sara Ross, Sacred Heart University

Video Technology as a Discourse Network: Caché Once Again

Ido Lewit, Yale University

PANEL 1544 Technology and Gender 

Chair: John Alberti, Northern Kentucky University

“Trust Me, I’m a Doctor”: Debating Reproductive Rights in 1960s Medical Dramas

Caryn Murphy, University of Wisconsin, Oshkosh

From Remington to IBM: The Gendered Relationship Between Women and the Typewriter

Lynn Byall Benson, University of Massachusetts, Boston

The Technology of Gender: Romcoms at the Edge of Chaos

John Alberti, Northern Kentucky University

Break: 4:00-4:30 PM 


Session 5: 4:30-6:00 PM

PANEL 1551 Antiqui-tech Roundtable

Chair: Meredith Safran, Trinity College

PANEL 155Technology in the Western: Roundtable

Chair: Sue Matheson, University College of the North, Manitoba, Canada

David Blanke, Texas A & M University, Corpus Christi

Christopher Minz, Georgia State University

Sue Matheson, University College of the North, Manitoba, Canada

PANEL 1553 Technology and Truth on Screen

Chair: Sarah Hagelin, University of Colorado Denver

Polygraphs, AI Truth Machines, and Brain Scanning: Lie Detection Technologies and Ubiquitous Honesty Themes in Film 

Jo Ann Oravec, University of Wisconsin

Technology Towards Truth: The Sewol Ferry Disaster of South Korea and Intention

Hyo-Jeong Lee, Southern Illinois University

Technology and the Surveillance State: Homeland’s 21st-century Discourses of Hysteria

Sarah Hagelin, University of Colorado Denver

7:00-10:00  Special Screening and Panel DiscussionThey Shall Not Grow Old

Chair: Gary Edgerton, Butler University

Peter Jackson: Documentarian as Historian

Chris Yogerst, University of Wisconsin, Milwaukee

Digital Restoration as Historical Spectacle 

Tanine Allison, Emory University

Restoration, Revision or Enhancement: Colorization and Moving Image Archives

Mary K. Huelsbeck, Wisconsin Center for Film and Theater Research

What Is Old Is New Again: They Shall Not Grow Old, History, and Popular Memory

Gary R. Edgerton, Butler University

SATURDAYNovember 16

Session 1: 8:00-9:30 AM

PANEL 1611 Rage Against the Machine II: Crafting Identities, Creating Communities: Social Media and Digital Connectivity in Independent Film and Media

Chairs: Matt Connolly, Minnesota State University, Mankato; Chelsea McCracken, State University of New York at Oneonta

From the Red Carpet to Cardboard Cutouts: The Promotion of Faces Places and the Auteur on Social Media

Matt St. John, University of Wisconsin, Madison

#Mompreneurs: Evangelicals, Latter-day Saints, and Network Marketing in the Age of Social Media

Victoria Le-Sweatman, University of Iowa

Visible Pirates: The Proliferation of Independent Film Communities with Digital Piracy

Hamidreza Nassiri, University of Wisconsin, Madison

PANEL 1612 Antiqui-tech V: Technology and the afterlife

Chair: Janice Siegel, Hampden-Sydney College

Unlocking the Underworld: golden keys in the Aeneid and Battlestar Galactica (2003-2009)

Meredith E. Safran, Trinity College

Technology of the Double: Confronting the Dead through Archaeological Excavation

​Emma Scioli, University of Kansas

PANEL 1613 Technology and the Visual

Chair: Richard Voeltz, Cameron University

Blended: The Digital Long Take 

Brian Brems, College of DuPage

Before the Boom: Early Zooms From 1927-1935 and Their Stylistic Legacy

Zachary Zahos, University of Wisconsin, Madison

They Shall Not Grow Old and Mimesis: African Soldier: Technology and Remembrance 

Richard Voeltz, Cameron University

PANEL 1614 The Industry II: Business

Chair: Kevin Hagopian, Pennsylvania State University

How exhibition technology affects film production

Mark Kerins, Southern Methodist University

Financial Innovation as Transformative Technology: How the 1980s Independents Changed Hollywood 

Shawna Kidman, University of California, San Diego

“An Essential Industry”: Institutional Self-Reflexivity in the Wartime Motion Picture Industry, 1942-1945

Kevin Hagopian, Pennsylvania State University

Session 2: 9:45-11:15 AM

PANEL 1621Hardwired to the Grid II: The Political Tech of Cyberpunk in Film, Television and New Media

Chair: Benjamin Franz 

Cyberpunk and the Problem of Dualism: Akira and Battle Angel: Alita

Jeffrey Ventola, Independent Scholar

A Fight on Two Fronts: On Jean Luc Godard’s La Chinoise

Shalon van Tine, Ohio University

Anatomy of Cyber-Torture: The Enhanced Interrogation of Altered Carbon Episode 1.4

Benjamin Franz, Medgar Evers College

​​​​​

PANEL 162Antiqui-tech VI: Narrative technologies​​​​​

Chair: Dan Curley, Skidmore College

The Scholiast’s Dream: DVD Featurettes and Commentaries

Jon Solomon, University of Illinois at Urbana Champaign

The Gospel Truth: Ekphrasis and Narrative in Disney’s Hercules (1997)

​Dan Curley, Skidmore College

PANEL 162Film, Technology, Context

Chair: Tomer Fischer, Tel Aviv University, Israel

The Light of Day:  Discovering a Jam Handy Organization animated “orphan” film (industrial animation)

Brian Oakes, Kean University

“It’s Just an Old Story”: Microform and Database Research in Horror Films 

Erin Hvizdak, Washington State University

It Was A Hit: Media Technologies as Experiences of Historicity in the Period Film Musical 

Tomer Fischer, Tel Aviv University, Israel

PANEL 162Mind Games: Technology, Film, Emotions, and Identity

Chair: 

Blackfish and the Technology of Sentimentalism

Aaron Ritzenberg, Columbia University

Framing Ghost/Ghosts Framing: Reading Ghost with Mark BN Hansen’s New Philosophy for New Media

Myrna Moretti, Northwestern University

A Trickster Psychic and a Psychic Trickster: The Technology of “Mentalism” in Two Films from the 1930s.

Gail Sheehan, Salem State

Lunch Break: 11:30 AM-12:30 PM

Session 3: 12:45- 2:15 PM

PANEL 1631 Race and Ethnicity II: Harnessing IT for the Greater Good: Technology and Marginalized Voices 

Chair: Novotny Lawrence, Iowa State University

How Minority Women use Digital Media in American Comedy: 2 Dope Queens, Broad City and Tiffany Haddish

​Alex Symons, LIM College

Fix It Black Jesus!: The Iconography of Christ in Good Times

Novotny Lawrence, Iowa State University

PANEL 1632 Technology in the Western II:  Past Tech, Future Tech

Chair: Sue Matheson, University College of the North, Manitoba, Canada

DeMille’s Women in Westerns

David Blanke, Texas A&M University, Corpus Christi

Westworld’s Outlaw in the Age of Simulation

Erin Lee Mock, University of West Georgia

Stagecoaches and Coffeegrinders in John Ford’s Westerns

Sue Matheson, University College of the North,Manitoba, Canada

PANEL 1633 Antiqui-tech VII: Technology refigures the divine

Chair: Polly Hoover, Wilbur Wright College

Phones Are Fickle Gods: The Odyssey of Booksmart(2019)

Katie Cantwell, Independent Scholar

Pandora’s Effect: The Destructive Power of Technology and Hope in Jung-woo’s Pandora (2016)

Anastasia Pantazopoulou, University of Florida

The Technology of Memory: Park’s Oldboy (2003), Oedipus the King, and the Construction of Identity

Polly Hoover, Wilbur Wright College

PANEL 1634 The Industry III: Technology and Innovation

Chair: Caleb Allison, Indiana University

Sound recording practice in 1930s Hollywood: The ‘female’ voice at 165-255 Hz 

Casey Long, University of Wisconsin, Madison

Homemade and Jerry-Rigged: The Amateur Cinema Gadget during WWII

Caleb Allison, Indiana University

Session 4: 2:30-4:0PM

PANEL 1641 Rage Against the Machine III: Streaming Independence: Platforms and Politics in Contemporary Digital Distribution

Chairs: Matt Connolly, Minnesota State University, Mankato; Chelsea McCracken, State University of New York at Oneonta

Harmonizing the Indie Niche: Data-Driven Independent Filmmaking and Censorship in China 

Hao Zhou, University of Iowa; Tyler Hill, University of Michigan

“Are You Still Watching?:” The Promise and Peril of Netflix’s “Streaming-Only” Model

Dora Valkanova, University of Illinois at Urbana-Champaign

Her Story: Building a Trans Network

Laura Stamm, University of Wisconsin, Eau Claire

PANEL 164Antiqui-tech VIII: Technologies of desire

Chair: Stacie Raucci, Union College

The Art of Seduction: The Warriors (1979) and the Sirens

Jaclyn Neel, Temple University

Oh, Lambent Flame(r)!: Queer Pleasure and the Technicolor Sex Drive in Quo Vadis (1951)

Thomas J. West, Independent Scholar

Coiffures and Cosmetics: Crafting the Ancient Roman Woman on Screen

Stacie Raucci, Union College

PANEL 164Processing Trauma on Screen

Chair: Caroline Guthrie

Television and the Good War

Michael LoSasso, University of South Florida

Safety Last on a Clock Tower: Interrogating Nuclear Trauma in Back to the Future

Khara Lukancic, Southern Illinois University

“My Father Died Before He Taught Me to Care:” The Trauma of Technology’s Failed Promise in The Venture Bros.

Caroline Guthrie, College of Charleston

PANEL 1644 Playing with Technology

Chair: A. Bowdoin Van Riper, Martha’s Vineyard Museum

Computer Gagged Imagery: Special Effects and Gag Construction in Contemporary Comedy

Luke Holmaas, University of Wisconsin, Madison

Licensed Merchandise: Technology Gadgets from Film andTelevision to Toy Store

David Sedman, Southern Methodist University

Cartoon Engineering: Fantastic Transportation in 1960s Film and TelevisionA. Bowdoin Van Riper, Martha’s Vineyard Museum

Break: 4:00-4:30 PM


Session 5: 4:30-6:00 PM

PANEL 1651 Antiqui-tech IX: Worldbuilding in Assassin’s Creed: Odyssey​​

Chair: Hamish Cameron, Victoria University of Wellington

Pericles, Medusa, and Aliens? Using Science Fiction to Escape from History in Assassin’s Creed: Odyssey

​Ky Merkley, University of Illinois at Urbana Champaign

Resynchronizing Atlantis: Herodotos & Conspiratorial Euhemerism in Assassin’s Creed: Odyssey

Hamish Cameron, Victoria University of Wellington

Pixelomachy: Battling the Gods in Assassin’s Creed: Odyssey

Kira Jones, Emory University

PANEL 165Visions of the Technological Future

Chair: Christine Sprengler, Western University

The Shape of Things to Come: Mission: Impossible (1988-90) and Technology of the Future

Erwin Erhardt, University of Cincinnati

“For We Have Stomachs”: Future Food and Physical Instrumentality in Forbidden Planet (1956)

Thomas Prasch, Washburn University

Futuristic Fifties: The Postwar Imaginary in Last Man on Earth (1924), High Treason (1929), and Transatlantic Tunnel (1935)

​Christine Sprengler, Western University

6:30 PM Banquet and Keynote Address